108 sleeves

How is everyone doing out there?

I hope anyone reading this is doing ok and finding time to be healthy and safe during this crazy period.

This weekend I took up a fun little social media challenge from my friend @tomastomas108 – the  #108sleevesinternetchallenge
I decided to post them on here also as it is quite a broad spectrum of my work, from my first ever sleeve on @jorgeteran into a selection of sleeves in somewhat chronological order, ending with one I finished a few weeks before the lockdown started. This represents approximately 17 years of tattooing.
I strongly recommend checking out @tomastomas108 work if you haven’t seen it before, totally mind blowing and his contribution to the art of tattoo is phenomenal. Thank you, to all the amazing clients through the years, can’t wait to get back to work. I’d also like to say sorry to those I didn’t include in this with sleeves from me, I don’t have all my photos anymore.

Stay safe and healthy out there.

Thank you for looking – Thomas.

Abstract moments carved into time like wood carved with memories.

Collin is a wonderful human being and I am extremely grateful to have not only met him, but to have accompanied him on his journey over the last five years getting his two sleeves.

To call Collin a master craftsman would be an understatement, he is a timber frame carpenter who uses traditional methods and combines them with modern functional homes, it really is something you have to see to appreciate, his new website is at this link-

http://www.collinbeggs.com

He has travelled from Sandpoint Idaho to visit and get tattooed by me in Austin multiple times each year and the photographs below are of the finished project, though I doubt we are finished as I think there maybe a few more tattoos on the horizon.

Since the beginning of the year, I have been fully immersing myself in capturing my tattoos on film and decided to take full advantage of photographing Collins sleeves.

We set up a little back drop outside at my home on an overcast Sunday with a few reflectors for fill light and to reduce some shadows, I used a Calamut 4×5 mono rail camera with a old 20/30’s compur Lens and a Hasselblad 500cm with a 150mm lens.

The first image above and images below were shot on a Hasselblad 500cm with a 150mm lens.

Thank you Collin for making all the trips and following through to see this project to its completion.